|Posted by Nick Spake on December 5, 2017 at 7:05 PM|
How did you first learn about Tommy Wiseau’s “The Room?” Chances are a friend dragged you to a screening one night or lent you a copy of the DVD. Perhaps you stumbled upon the Nostalgia Critic’s review on YouTube. Maybe you just so happened to pick up a copy of Greg Sestero and Tom Bissell’s award winning book, “The Disaster Artist: My Life Inside The Room, the Greatest Bad Film Ever Made.” However you came across it, “The Room” has worked its way into the hearts of many, even becoming one of the most quotable movies of the 21st century. Considering how much joy it’s brought audiences, should it technically be classified as a “bad film?” In any case, “The Disaster Artist” is undoubtedly one of the best films of 2017.
Even after over a decade of being in the public eye, Tommy Wiseau remains a walking question mark. There’s still debate over where he came from, how he made his personal fortune, and how old he is. As far as we know, he’s an alien that crash-landed on earth and decided to pursue an acting career. James Franco masterfully captures that bizarre sentiment with his performance as Wiseau. From his dazed appearance to his indistinguishable accent, it’s eerie just how well Franco mimics this one of a kind individual. The same can be said about Franco’s feat behind the camera, as he recreates several scenes from “The Room” to near perfection.
While Franco’s performance is well worthy of a Best Actor nomination, he’s not the only one who deserves recognition. Seeing how Greg Sestero has been like a brother to Wiseau, it’s fitting that James Franco’s own brother would play him here. Dave Franco portrays Sestero as a naïve, yet ultimately kind-hearted, aspiring actor that just wants to perform. While his decision to follow Wiseau to Los Angeles is certainly questionable, if not crazy, we can also see how somebody in his position would be eager to go along for the ride. After Sestero fails to get anywhere with his talent agency and Wiseau is repeatedly told he’s only qualified to play a monster, the two decide to make a movie of their own. What emanates from Wiseau’s mind is a rollercoaster of confusion and unintentional hilarity.
The acting ensemble that Wiseau assembles includes Josh Hutcherson as Denny, Jacki Weaver as Claudette, and Zac Efron as Chris-R. Seth Rogen is especially good as script supervisor Sandy Schklair, who was arguably the closest thing this production had to a competent filmmaker. The cast and crew ask all the questions audiences have when they watch “The Room.” Is this story supposed to be autobiographical? Why use a green screen for certain exterior shots when shooting outside would’ve been easier? Why doesn’t the cancer subplot ever come back into play? Since their checks clear, everyone tends to indulge Wiseau’s insanity, but even they have their limits.
“The Disaster Artist” doesn’t shy away from Wiseau’s shadier moments, as he deprives his employees of water, humiliates a young actress, and costs his best friend a potentially game-changing gig. Even when he’s at his most unlikable, though, Franco manages to paint Wiseau as a believable human being. That might sound contradictory, as I previously described Wiseau as an alien. While we may never understand Wiseau’s mindset, any artist can understand his obsession and determination.
The best movie to compare “The Disaster Artist” to is Tim Burton’s “Ed Wood.” Like Wood, Wiseau is far from perfect, especially when it comes to storytelling. Their ideas are so out-there and their passion for filmmaking is so unyielding, though, that you can’t help but root for them. It’s clear that they’re never going to succeed in a conventional sense, but you want to see their visions brought to life regardless. Both give hope to artists that refuse to give up on their dreams… even if they probably should.
Grade: 4.5 out of 5 Stars