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The Commuter - Review

Posted by Nick Spake on January 12, 2018 at 11:50 AM


It’s been almost ten years since “Taken” became an unlikely hit and in turn made Liam Neeson an unlikely action star. One could argue that Neeson is the action star equivalent of wine. The older he gets, the more badass he looks and sounds. In “The Commuter,” Neeson plays a 60-year-old man who manages to survive multiple fistfights, as well as a train crash that would kill Jason Bourne. In the back of your head, you know that this is preposterous, silly, and even downright stupid. Neeson plays the part so well, however, that you can’t help but go along for the ride.


The best scene in the film is the opening credits, as we’re introduced to Michael MacCauley (Neeson). The sequence takes place over several months, although it’s brilliantly edited to feel like just a single morning, emphasizing the repetitive nature of Michael’s daily routine. He wakes up at 6:00 A.M. next his wife (Elizabeth McGovern), takes a train to work, and puts in his eight hours at an insurance agency. Michael’s routine takes a twisted turn, though, as a mysterious woman named Joanna (Vera Farmiga) approaches him on his commute home. She offers Michael $100,000 to single out a person on the train who doesn’t belong. Michael soon begins to unravel a conspiracy that puts several people at risk, including his family.


The setup here is worthy of a Hitchcockian classic like “Strangers on a Train,” “North by Northwest,” or “The Lady Vanishes.” Of course “The Commuter” never comes close to reaching the brilliance of a Hitchcock picture, instead taking the safer action route. On that basis, though, it’s by no means poorly made. Director Jaume Collet-Serra, who previously worked with Neeson in “Unknown,” “Run All Night,” and “Non-Stop,” knows how to turn in an intense, well-shot thriller. That’s exactly what we get, which will leave the core demographic satisfied, but others longing for something a little more.


“The Commuter” might have actually earned comparison to a modern “Murder on the Orient Express” if it made slightly better use of its supporting cast. The film features several commendable character actors, including Jonathan Banks, Patrick Wilson, and Sam Neill. Yet, none of them are really utilized to their full potential. Everybody seems to take a backseat with Neeson behind the wheel. Then again, Neeson is the reason why audiences are going to buy a ticket and he once again has a lot of fun in this role.


It’s hard to say how much longer Neeson will be able to milk this aging tough guy caricature. Sure, stunt men and CGI will always be there to fill in the blanks, but can he really pull this part off with his seventies and eighties on the horizon? Well for now, Neeson isn’t showing any sign of slowing down. Even if certain tropes from his films are growing tired, he keeps us coming back with his charisma and gruff charm. I’m totally onboard for more senior action flicks, assuming they have more integrity than “Taken 2” and “3.”


Grade: 3.5 out of 5 Stars

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