Nick Picks Flicks

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Movie Reviews 2017

My Movie Reviews

5 Stars= It's Simply the Best 

4 Stars= Totally Rocks

3 Stars= Rad

2 Stars= Bad

1 Star= Terrible 

Zero= Totally Sucks

Alien: Covenant

Alien: Evolution ****

Director Ridley Scott returns to the franchise’s roots, once again injecting an element of horror into the equation. Like its 1979 predecessor, "Alien: Covenant" is essentially a haunted house movie in space with plenty of screams to go around. While not anything revolutionary, this is a suspenseful thriller that works on a psychological level and on a gut-busting gore level.

Read more at Flickreel:

https://www.flickreel.com/alien-covenant-review/

Annabelle: Creation

Child's play for grown ups ****

“The Conjuring” became a surprise hit back in 2013, breathing new live into the supernatural horror genre. For every successful film, though, there’s always a cheap, rushed out, crash grab. Enter 2014’s “Annabelle,” a spinoff everyone wrote off as cliché and unnecessary. Fortunately, this franchise had a comeback last year with “The Conjuring 2” and “Annabelle: Creation” keeps the momentum going. Much like “Ouija: Origin of Evil,” this is a prequel that improves upon its predecessor and manages to stand out in the crowded horror market.

 

In this origin story, we learn that a man named Samuel Mullins (Anthony LaPaglia) created the Annabelle doll. Samuel lives a happy life with his wife (Miranda Otto) and daughter (Samara Lee). When tragedy strikes the family, however, Samuel is left a broken man. Another twelve years down the line, Sister Charlotte (Stephanie Sigman) takes up residence in the house with several orphaned girls. Among the orphans are a crippled child named Janice (Talitha Bateman) and her best friend Linda (Lulu Wilson). When Janice stumbles upon Annabelle, an evil is awakened in the house and only the power of Christ can compel it back to sleep.

 

The scary doll trope is so overused that you’d think it would be old by now. Yet, Annabelle is certainly one of modern cinema’s creepiest inanimate objects. That’s because the filmmakers never turn her into a Chucky knockoff that’s constantly cracking one-liners or awkwardly walking around. Sometimes less is more and “Annabelle: Creation” manages to produce so much terror with so little. Director David F. Sandberg made a name for himself directing no-budget horror shorts and his talents are perfectly tailored for this material.

 

Granted, “Annabelle: Creation” does bring up some of the questions that seem to plague every haunted house movie. If a house hosts a demonic presence, why would anybody want to live there? Why don’t they just leave at the first sign of danger? Why doesn’t anybody ever burn these places to the ground? While not everything necessarily adds up, “Annabelle: Creation” thankfully never turns its characters into bumbling idiots. Likewise, the film treats its audience with intelligence by resisting the urge to go for cheap scares, keeping us on our toes at all times.

 

Sandberg does a fantastic job at slowly building tension in the first act and upping the ante with each set piece. The final product is an exceptionally crafted thriller with chilling atmosphere, striking imagery, strong performances, and even a subtle sense of humor. As far as this genre goes, “Annabelle: Creation” may not be a game changer like “The Exorcist.” Considering that this is the fourth entry in an ongoing series, however, the filmmakers deserve extra credit for going above and beyond to keep the audience jumping out of their seats. Most horror franchises would be heading straight-to-video at this point, but there’s still plenty of life in “The Conjuring” and “Annabelle.”

Atomic Blonde

A blast or a bomb? ***1/2

At its best, "Atomic Blonde" ranks alongside the best action flicks of the decade. On the whole, though, it’s just solid summer escapism with several kickass moments.

Read more at Flickreel:

https://www.flickreel.com/atomic-blonde-review/

Baby Driver

Nobody puts Baby in the passenger's seat ****1/2

With a tank full of kinetic energy, "Baby Driver" is a hit and homerun.

Read more at Flickreel:

https://www.flickreel.com/baby-driver-review/

Beauty and the Beast

Every day like the day before ***1/2 


"Beauty and the Beast" (1991) became the first animated feature to score a Best Picture nomination and is considered one of Disney’s crowning achievements. So how can this live-action remake ever compete with that? In many respects, it can’t, but that doesn’t stop the filmmakers and performers from giving it their all.


Read more at Story Monsters Ink:


http://www.fivestarpublications.net/storymonsters_dir/pdf/smi-april-2017.pdf

The Boss Baby

Who's the Boss?: Baby Edition ***


"The Boss Baby" has a pretty basic premise that  shouldn’t even be able to fill a feature-length runtime. As thin as the idea is, though, the filmmakers throw in more effort than you might expect.


Read more at Story Monsters: 


http://www.fivestarpublications.net/storymonsters_dir/pdf/smi-may-2017.pdf

The Bye Bye Man

Don't think it, don't say it, and don't see it *1/2


Well it’s January, which means we’re bound to get at least one lackluster horror flick that wasn’t good enough for an October release. And wouldn’t you know it, "The Bye Bye Man" perfectly fits the bill.


Read more at Flickreel: 


https://www.flickreel.com/the-bye-bye-man-review/

The Dark Tower

This is the darkest timeline **

Whether you’ve read King’s original books or not, the audience can sense that "The Dark Tower" has a rich lore and lots of fascinating ideas. At only 95 minutes, though, this film adaptation packs in far too much backstory and not nearly enough humanity.

Read more at Flickreel:

https://www.flickreel.com/the-dark-tower-review/

Dean

Demetri Martin presents: indie comedy ***1/2

A surreal comedian to say the least, Martin is known for incorporating drawings and music into his material. He brings that trademark offbeat wit to his directorial debut, "Dean," mixing deadpan humor with a melancholy atmosphere.

Read more Flickreel:

https://www.flickreel.com/dean-review/

Despicable Me 3

Yellow is the new black ***

Perhaps it’s best not to view "Despicable Me 3" as a movie, but rather as a feature-length episode of "Family Guy." If you want a coherent story where every gag is carefully woven into the script, this probably won’t be your cup of tea. If you’re looking for a hodgepodge of one-liners, pop culture references, and physical humor with the occasional sweet moment, though, this gets the job done.

Read more at Flickreel:

https://www.flickreel.com/despicable-me-3-review/

A Dog's Purpose

The secret afterlife of pets **

Controversy aside, does "A Dog’s Purpose" work as a standalone movie? Well, that depends. Do you just want to see adorable doggies being adorable? If so, then this is the movie for you. If you actually care about character development, storytelling, and basically all the essential ingredients that go into making a good movie, though, look elsewhere.

Read more at Flickreel:

https://www.flickreel.com/a-dogs-purpose-review/

Dunkirk

Oscar for Nolan? *****

Since Nolan has set the bar increasingly high, however, it’s hard to say where exactly this movie would rank in his filmography. That being said, three things are for certain. First, this is easily among Nolan’s most triumphant feats behind the camera. Second, it warrants comparison to the most engaging war pictures ever made. Third, "Dunkirk" is currently the best picture of the year and it could quite possibly hold onto that title well into awards season.

Read more at Flickreel:

https://www.flickreel.com/dunkirk-review/

Everything, Everything

Could've been so much more **

"Everything, Everything" is evidence that an ending can ruin a movie. As far as young adult love stories go, much of the film is solid. The leads are charming, the direction is inventive, and a few genuine moments stick out. Everything gets thrown out the window in the last fifteen minutes, however.

Read more at Flickreel:

https://www.flickreel.com/everything-everything-review/

The Fate of the Furious

Shouldn't it be "The Eight of the Furious?" Kind of a missed opportunity... oh well, it still kicks ass! ****

The eighth entry in this never-ending series keeps the momentum going, delivering exactly what audiences want to see.

Read more at Flickreel:

https://www.flickreel.com/the-fate-of-the-furious-review/

Fifty Shades Darker

He STILL doesn't hang dong? *

Where the first film was just stupid, this sequel is flat-out manipulative, mean-spirited, and – most offensive of all – dull.

Read more at Flickreel:

https://www.flickreel.com/fifty-shades-darker-review/

Fist Fight

Betsy DeVos presents... ***1/2

While his range as an actor might be limited, Ice Cube has proven on multiple occasions that he can be hilarious. At his best, we’ve gotten "Friday," "Barbershop," and the "Jump Street" films. At his worst, however, we’ve gotten "Are We There Yet?" and those "Ride Along" movies. "Fist Fight" isn’t one of his best comedies, but it’s far from one of his worst.

Read more at Flickreel:

https://www.flickreel.com/fist-fight-review/

Get Out

Black people always survive horror movies, right? ****

Much like M. Night Shyamalan’s "The Visit," "Get Out" lures you into an uncomfortable state of uncertainty and ultimately delivers a killer punch line. The outcome is a black satire for the ages.

Read more at Flickreel:

https://www.flickreel.com/get-out-review/

Ghost in the Shell

Shell Runner ***1/2

"Ghost in the Shell" has a fair deal in common with Disney’s live-action remake of "Beauty and the Beast." Is it better than the original? No. Did it need to exist? No. Since it does exist, however, there’s ultimately a lot to admire in terms of visuals, performances, and philosophies.

Read more at Flickreel:

https://www.flickreel.com/ghost-in-the-shell-review/

A Ghost Story

I got a rock ****

Not too long ago, Casey Affleck won an Oscar for playing a grieving man in "Manchester by the Sea." In "A Ghost Story," Affleck finds himself in a role that’s very different, and yet very similar.

Read more at Flickreel:

https://www.flickreel.com/a-ghost-story-review/

The Glass Castle

Shattered Glass **


Families are complicated, aren’t they? You can find yourself hating a relative while simultaneously loving them. Likewise, there’s a lot to love in "The Glass Castle" and a lot to hate.


Read more at Flickreel: 


https://www.flickreel.com/the-glass-castle-review/

The Great Wall

Must resist Trump joke... ***

While you could argue whether or not it’s technically a good movie, "The Great Wall" is still an entertaining mess, assuming you’re in the right frame of mind.

Read more at Flickreel:

https://www.flickreel.com/the-great-wall-review/

Guardians of the Galaxy Vol. 2

Hey there, Mr. Blue ****1/2

"Guardians of the Galaxy Vol. 2" is a rare sequel that doesn’t run out of gas. The film lacks the fresh factor of its predecessor and doesn’t necessarily evolve the franchise to a whole new level like "Captain America: Civil War" did. As with any quality sequel, however, it continues to up the action, the humor, and the drama.

Read more at Story Monsters:

http://www.fivestarpublications.net/storymonsters_dir/pdf/smi-june-2017.pdf

The Hitman's Bodyguard

It's Deadpool meets Nick Fury, what went wrong? **

“The Hitman’s Bodyguard” is being marketed as an action comedy in the same vein as “Deadpool.” While the film has plenty of gratuitous action to go around, it’s surprisingly lacking in the comedy department. There are actually times when the movie doesn’t even seem sure if it wants to be a comedy. That’s not to say there are no funny moments whatsoever, but those scenes are overshadowed by routine car chases and shootouts that go on forever. If you sit down anticipating the next “Deadpool,” prepare to be disappointed. You shouldn’t expect the Kevin Costner/Whitney Houston parody the poster promised either.

 

Samuel L. Jackson stars as the titular hitman, Darius Kincaid, who finds himself in Interpol custody along with his foulmouthed wife (Salma Hayek). Darius can get his better half pardoned if he testifies in court to incarcerate an Eastern European dictator (Gary Oldman). When the villain sends his own hitman after Daris, Ryan Reynolds enters the mix as the titular bodyguard, Michael Bryce. It turns out these two share a complicated history, as Daris has tried to kill Michael on multiple occasions. Michael agrees to protect his adversary, however, in hopes of getting back in the good graces of his ex-girlfriend (Élodie Yung)

 

Reynolds and Jackson are two of the most charismatic actors around. To this movie’s credit, both share a likable chemistry and inject a fair deal of life into their scenes. Hayek and Yung also manage to score a few solid one-liners, excelling above just being the love interests. Unfortunately, long stretches of time pass without a single laugh. Unlike Edgar Wright and Paul Feig, who both know how to handle action and comedy, Patrick Hughes’ background is primarily action-oriented. His last film was “The Expendables 3” and “The Hitman’s Bodyguard” just feels like more of that old shtick.

 

Aside from having more explosions than jokes, the film can be downright unpleasant at times. The violence isn’t especially funny. If anything, it’s just gross and cringe-worthy. The bad guys are all killjoys without a funny bone in their bodies, which is becoming increasingly tiresome in action comedies. Hell, one of the first scenes involves a mother and child being brutally murdered. Doesn’t that just scream hilarity? Not since “Suicide Squad” has a film had a harder time deciding what it wants to be. Of course “Suicide Squad” was so all over the place that it was at least kind of intriguing to watch. “The Hitman’s Bodyguard” is simply forgettable.

 

It doesn’t help that the film essentially follows the same formula of every other buddy movie ever made. We all know that Michael and Darius aren’t going to like each other at first, but will inevitably become friends. It’s not a bad formula per se, but what matters is how the filmmakers execute it. Here, they’ve got the stars and a few interesting ideas, but the tone is impossible to get a grasp on. In short, “Midnight Run” it ain’t.

John Wick: Chapter 2

He's the one ****

"John Wick: Chapter 2" is a rare sequel that doesn’t disappoint. Like all great follow-ups, it maintains everything that made the original standout without repeating the same formula. It actually ups the ante, earning comparison to "Terminator 2," "Die Hard 2," and "The Bourne Ultimatum."

Read more at Flickreel:

https://www.flickreel.com/john-wick-chapter-2-review/

King Arthur: Legend of the Sword

Should've pulled harder... **

This is one of those movies that wants to paint a familiar face in a darker, more sophisticated light, but ultimately comes off as stale, lame, and everything but kingly.

Read more at Flickreel:

https://www.flickreel.com/king-arthur-legend-of-the-sword-review/

Kong: Skull Island

Damn nature, you scary ***1/2 


The latest incarnation of Kong doesn’t have the emotional impact of the 1933 classic or Peter Jackson’s breathtaking remake, but that’s clearly not what the studio was aiming for. They set out to produce a traditional giant monster flick and that’s exactly what we get.


Read more at Flickreel: 


https://www.flickreel.com/kong-skull-island-review/

The Lego Batman Movie

Because I'm Batman! ****1/2

In many respects, "The Lego Batman Movie"  is everything Schumacher’s interpretations should have been. It’s colorful, family-friendly, and literally toyetic, but also funny, clever, and totally awesome.

Read more at Story Monsters Ink:

http://www.fivestarpublications.net/storymonsters_dir/pdf/smi-march-2017.pdf

Logan

The last stand (for real this time) ****


Last year, "X-Men" fans finally got the Deadpool movie they had been waiting for. Now after multiple failed attempts, 20th Century Fox has finally produced the standalone Wolverine movie audiences have always wanted to see.


Read more at Flickreel: 


https://www.flickreel.com/logan-review/

Logan Lucky

Wait, is it Lucky Logan or Logan Lucky? I can never remember...  ***1/2

"Logan Lucky" is about a group of criminals that seem dumb on the surface, but turn out to be smarter than they appear. Likewise, the film itself is much smarter than the ads might have you think.

Read more at Flickreel:

https://www.flickreel.com/logan-lucky-review/

The Mummy

This is the darkest universe **1/2

Shared universes are slowly taking over Hollywood. As of late, the Marvel Cinematic Universe has been hitting it out of the park with each new entry. Legendary Entertainment’s MonsterVerse is getting off to a solid start with “Godzilla” and “Kong: Skull Island.” The DC Extended Universe… well, let’s just say that they’ve taken a huge step forward with “Wonder Woman.” Now Universal is moving forward with the Dark Universe, which will bring together the likes of Dracula, the Invisible Man, and other classic horror movie monsters. “The Mummy” lays the groundwork for this cinematic universe, but the film doesn’t exactly leave you excited to see a dozen more entries in the franchise.

 

Tom Cruise stars as Nick Morton, who’s essentially every other action hero Cruise has been playing for the past two decades. Annabelle Wallis stars as Jenny Halsey, who’s essentially every other female love interest we see in modern blockbusters. Together, they uncover the mummified Princess Ahmanet (Sofia Boutella), who curses Nick and plans to wreak havoc upon humanity. That might sound like a pretty straightforward plot, but the exposition is so overstuffed and the pacing is so clunky that it’s hard to understand what’s going on.

 

On a technical level, “The Mummy” is a well-produced picture. The art direction clearly a lot of effort thrown into it and the action can be visually interesting. Occasionally the film can be too reliant on CGI, but it more than makes up for that with the stellar makeup effects. Ahmanet’s design is actually creative and unique compared to previous incarnations. The same can be said about the makeup for Jake Johnson’s Chris, a departed friend who communicates with Nick from beyond the grave. He’s kind of like Jack from “An American Werewolf in London.” Of course am I the only one who finds it distracting that Nick from “New Girl” is paired with another character named Nick here?

 

Alas, the production values are hard to appreciate when watching the film in 3D. Since this the Dark Universe, it makes sense that “The Mummy” is a darkly lit movie. Releasing the film in the 3D format was a huge miscalculation, though, as it makes the picture look even darker than originally intended. So most of the time you can’t tell what’s going on. Even if you see the film in 2D, however, “The Mummy” is still an underwhelming experience with one-note characters and a lack of focus.

 

To its credit, the movie isn’t without a couple cool set pieces and genuinely humorous moments. What the picture lacks is an identity of its own. It might’ve been campy, but the 1999 version of “The Mummy” with Brendan Fraser knew what it wanted to be and followed through. Here, the filmmakers don’t seem sure what they want to do. Do they want to make an action adventure, a horror picture, or a little bit of both?

 

All they really seem sure about is that they want to build a cinematic universe around this movie. Even on that basis, though, we don’t get much universe building outside of an appearance from Russell Crowe as Dr. Henry Jekyll. Maybe Universal will get their act together in time for the next outing. If “The Mummy” is the best they have to offer, however, it won’t take long for this franchise to unravel.

The Only Living Boy in New York

Not even serviceable **

Walking out of the theater, one running gag that’s bound to standout is where Thomas’ father tells him that his work is serviceable at best. Unfortunately, "The Only Living Boy in New York" isn’t even that.

Read more at Flickreel:

https://www.flickreel.com/the-only-living-boy-in-new-york-review/

Power Rangers

Let our powers combine ***1/2


If you’re at all interested in seeing a modern interpretation of "Power Rangers," you’ll have a morphin good time.


Read more at Flickreel:


https://www.flickreel.com/power-rangers-review/

The Promise

Promising, but does it deliver? ***

Much like Martin Scorsese’s "Gangs of New York," "The Promise" works as a period epic and falls short as a love story. Nevertheless, there’s still a lot to enjoy, even if the film doesn’t fully live up to its promise.

Read more at Flickreel:

https://www.flickreel.com/the-promise-review/

Rings

Don't put a ring on it *1/2

"Rings" is simply too little, too late. Much like last year’s "Blair Witch," it’s a sequel that nobody asked for, tries nothing new, and serves no purpose.

Read more at Flickreel:

https://www.flickreel.com/rings-review/

Snatched

Take what you can snatch ***

With a cast and crew like this, you might go into "Snatched" expecting a modern classic. The film certainly has its hilarious moments and we occasionally see glimpses of a comedy that could reach the same heights as something along the lines of "Tropic Thunder." Other times, it feels like the filmmakers could have taken the jokes an extra step further.

Read more at Flickreel:

https://www.flickreel.com/snatched-review/

The Space Between Us

What's your favorite thing about earth? Well, it's not this movie... **1/2

If you’re at all interested in seeing a young adult version of "The Martian," it might be up your alley. If you were expecting more from this premise, though, you’ll likely walk out of the theater wondering what could’ve been.

Read more at Flickreel:

https://www.flickreel.com/the-space-between-us-review/

Spider-Man: Homecoming

Home at last ****


Holland finally gets to take center stage in "Spider-Man: Homecoming," a film fans thought they’d never get to see due to the rift between Sony and Marvel. Fortunately, these two studios finally sorted out their differences, making leeway for the fastest, funniest, and most entertaining Spider-Man flick in over a decade. Now if only Fox would let the Fantastic Four out of play.


Read more at Story Monsters: 


http://issuu.com/storymonstersink/docs/smi_2017_08_august?e=30000459/51256619

Split

Welcome back, Shyamalan ***1/2

Back when M. Night Shyamalan was on top of the world, seeing one of his movies felt like an eagerly awaited event. Between “Lady and the Water” and “After Earth,” however, Shyamalan became a walking punch line. So when “The Visit” came along a couple years ago, film fans went into the theater anticipating another cringe-fest. To the surprise of many, though, Shyamalan turned in an eerie, humorous, and well-acted thriller. It wasn’t anything groundbreaking, but it was the first time in years that people actually had fun at a Shyamalan movie.

 

If “Split” proves anything, it’s that “The Visit” wasn’t a fluke. This is another effective work of horror from Shyamalan, who’s officially back on the right track. Like his previous outing, “Split” doesn’t take itself too seriously. If anything, it’s incredibly self-aware. At the same time, Shyamalan and his performers create a genuinely haunting, uncomfortable atmosphere. It’s a film that constantly catches the audience off guard, reminding us why Shyamalan was once considered the next Alfred Hitchcock.

 

The film follows three high school girls named Claire (Haley Lu Richardson), Marcia (Jessica Sula), and Casey (Anya Taylor-Joy). In the middle of the day, these unsuspecting teenagers find themselves at the mercy of a creepy kidnapper, played by James McAvoy. They wake up in a mysterious room where escape appears futile. Their captor is eventually revealed to be Kevin Wendell Crumb, but he’s not alone. Kevn is living with dissociative identity disorder and has over 20 alternate personalities.

 

In “The Sixth Sense,” Shyamalan delivered quite possibly the greatest twist since “Psycho.” “Split” is kind of like Shyamalan’s love letter to “Psycho.” Where Norman Bates only had one alternate personality, though, Kevin has enough alters to fill an asylum. This includes a woman named Patricia, a nine-year-old boy named Hedwig, and a Beast that supposedly possesses supernatural powers. The film is a remarkable acting showcase for McAvoy, who easily could have come off as too over-the-top in this role. Yet, he finds the perfect balance with each of these personalities and is consistently menacing.

 

Aside from Anthony Perkins in “Psycho,” McAvoy also earns comparison to John Goodman’s character in “10 Cloverfield Lane.” Like Goodman, McAvoy delivers a portrayal that’s truly worthy of serious award recognition. Of course the Academy will probably never go for a performance like this. We additionally get strong work from Taylor-Joy, who broke out into stardom last year in “The Witch.” Taylor-Joy plays her part with just the right amount of strength and restraint, as if she’s Alice trying to survive an even more twisted version of Wonderland. Betty Buckley also deserves a shout out for her work as Kevin’s psychologist, who’ s starting to suspect her patient might be going off the deep end.

 

All the while, Shyamalan supplies thrills, chills, and even an applaud-worthy twist, which I won’t spoil here. With that said, “Split” isn’t perfect. It’s about twenty minutes too long and occasionally some of Shyamalan’s more annoying tendencies surface. The dialog can get pretentious at times and there are a couple deaths that come off as a little too silly. Every time the film begins to drag, however, Shyamalan hooks us right back in. It’s often believed that all artists go through peaks and valleys. In Shyamalan’s case, he’s experienced the highest of highest and the lowest of lows. For now, he’s at a solid middle ground that’ll do just fine.

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STEP

Steppin' it old school ***1/2

In an age where many underestimate the power of education and the arts, "STEP" is a highly relevant picture that schools and families should definitely seek out.

Read more at Story Monsters:

http://issuu.com/storymonstersink/docs/smi_2017_09_september_digital_final?e=30000459/52227109

Their Finest

Not to be confused with "The Finest Hours," which is not to be confused with "13 Hours" ***1/2

Even if much of the story is fabricated, it’ll leave many audiences wanting to learn more about the Dunkirk evacuation. Speaking of which, we still have Christopher Nolan’s war epic to look forward to later this year. Until then, though, "Their Finest" will do just fine.

Read more at Flickreel:

https://www.flickreel.com/their-finest-review/

War for the Planet of the Apes

I love the smell of bananas in the morning ****1/2

Like "The Lord of Rings" and "Captain America," this is a rare trilogy that only improved with every passing entry, demonstrating that blockbusters can make audiences think.

Read more at Flickreel:

https://www.flickreel.com/war-for-the-planet-of-the-apes-review/

Valerian and the City of a Thousand Planets

A thousand pieces of eye candy ***1/2

While a lot of the technical jargon can fly over your head, the characters are still written with plenty of wit and charm. Most importantly, the film never loses its flair for stunning imagery. What it lacks is a coherent narrative, which makes the experience on the whole a mixed bag.

Read more at Flickreel:

https://www.flickreel.com/valerian-and-the-city-of-a-thousand-planets-review/

Wonder Woman

It's actually a good DC movie and that's the truth ****


"Wonder Woman" marks the studio’s last chance to win back audiences before the Justice League assembles. The good news is that this superhero movie doesn’t fall into the same traps as its predecessors.


Read more at Flickreel: 


https://www.flickreel.com/wonder-woman-review/