|Posted by Nick Spake on August 14, 2018 at 8:35 PM|
Quality romantic comedies are a rarity in this day and age, but “Crazy Rich Asians” is among the best of recent memory. The plot isn’t anything revolutionary per se, as you can predict pretty much everything that’s going to happen if you’re even remotely familiar with this genre. Even if the story isn’t unique, however, the film’s signature certainly is. In what could have been a very by the numbers adaptation of Kevin Kwan’s hit novel, the filmmakers go all out with a lot of clever one-liners, style in spades, and a winning ensemble. Speaking of which, this film has the distinction of being the first major Hollywood production with a mostly Asian American cast since “The Joy Luck Club,” which came out a staggering 25 years ago.
Constance Wu of “Fresh Off the Boat” makes the leap from television actress to bona fide movie star as Rachel Chu, an economics professor who’s dating Henry Golding’s Nick Young. Rachel is oblivious to the fact that Nick comes from an insanely wealthy family, although she starts to catch on during a first-class flight to Singapore. In town for a wedding, Nick introduces Rachel to his assortment of relatives, who range from delightfully quirky to condescendingly cold. Rachel soon finds that it’s going to be an uphill battle impressing Nick’s stern mother (Michelle Yeoh), who outright tells her that she’ll never be enough. Nick, meanwhile, is torn between returning to Singapore permanently for the sake of his family’s business or staying in New York to start a life with the woman he loves.
On paper, that setup really doesn’t sound like anything new. As is the case with any romantic comedy, though, it’s what the actors bring to the table that matters most. Fortunately, “Crazy Rich Asians” is a film that bursts with personality. Wu is a natural screen presence and we get surprisingly swept up in Rachel’s story as she tries to make a good first impression. Nick thankfully isn’t restricted to being a bland boyfriend archetype and his chemistry with Rachel never feels insincere. While Nick’s relatives aren’t all especially welcoming, the film wisely doesn’t turn any of them into a one-dimensional villain. Yeoh even brings a great deal of depth to Nick’s mother, striking just the right note of being controlling and concerned. All the while, rapper Awkwafina steals the movie’s best lines as Rachel’s old college buddy.
I haven’t been a huge fan of Jon M. Chu’s previous films, which include “G.I. Joe: Retaliation” and “Jem and the Holograms.” His hyper style is perfectly suited for this modern Cinderella story, however. Where a lesser director would’ve taken a more straight-forward approach, Chu packs every shot with extravagant sets and colorful costumes that’ll make the viewers feel as if they’re at a party. Speaking of which, the big wedding is one of the most inventive you’ll ever see, turning the aisle into a babbling brook. There’s always something visually interesting to get wrapped up in, but not at the expensive of the character development or heartfelt love story.
Following the Oscar So White social media campaign, the industry has responded with several high-profile films centered on African Americans, including “BlacKkKlansman” and “Blindspotting.” The lack of Asians represented in Hollywood pictures has been even more prominent over the years, but “Crazy Rich Asians” is a significant step in the right direction. Of course, having a mostly Asian American cast doesn’t automatically equal a good or even progressive product. Just look at Margaret Cho’s short-lived sitcom, “All-American Girl.” What makes “Crazy Rich Asians” stand out is that the film respects its characters and doesn’t resort to cheap stereotypes. It’s a genuinely charming romantic comedy that audiences will remember in the years to come and will likely be viewed as a turning point for Asians in film. In that sense, perhaps “Crazy Rich Asians” is more revolutionary than I initially implied at the beginning of this review. That’s fitting, seeing how the movie’s message is to look deep into a person’s soul before completely judging them.